How I would change The City (by James Herbert)

How I would change The City (by James Herbert)

The City by James Herbert is a mixed bag for many readers, who have read all of the Rats books this graphic novel offers nothing new, but for new readers it’s quite interesting if vague. For me, this is where I started reading James Herbert’s work on The Rats, and after reading the trilogy and discussing all of the books, I now return to the last book that ends this series.

I want to discuss what I would change for this graphic novel that would give it more purpose, and a finality to end the saga. This isn’t to disrespect James Herbert’s work on The City as I’ve enjoyed reading it for its unique visual journey into the nightmare world of The Rats. However, I would like to offer my criticism not out of knowing what would make it perfect or how my opinion is right, but to offer alternative ideas and suggestions that could improve the story.

Let’s begin!

The protagonist

In The City, we meet our protagonist named David who is a lone survivor by the name of ‘The Traveller’, who search’s for his wife and daughter in the warped post apocalyptic nightmarish city of London. Now ruled by the Black Rats, David search’s for his family whilst slaughtering the rats.

When he finds his family his daughter is nothing but a carcass and his wife has gone, too far lost in her delusion. When he discovers that she is nursing a White baby rat, he ensures the vermin is destroyed and sadly mercy kills his wife.

Then suddenly he has a new mission in which he kills the Mother creature who’s nest is in St Paul’s Cathedral. After he kills the beast, he leaves London to walk the wasteland alone.

The Character lacks any connections to the previous books and we don’t really get to know David in the story. His mission doesn’t really pull you in and make you sympathise with him, his story is a mystery. A mystery character can be written well in some stories with some hints here and there about their past, but David just feels vague with nothing to make you question where he came from.

How does he know where the Mother Creature hibernate? Who does he work for? How did he know his family might be alive? Was he an ex military man? How did he survive the nuclear apocalypse?

I have two alternative suggestions that could make The City a good send off to the franchise, and to bring the story full circle.

1. Have Luke Pender be the protagonist of the story, he was the main protagonist in the second book, Lair. He knows about the Rats and their ugly hierarchy during his time as a investigator for Ratkill. Have the story briefly explain his life after Lair, his marriage and how he left behind Ratkill and his vengeance went for the Black Rats. Then go into the apocalypse and how he and his wife were lucky to be in one of the safer areas that weren’t attacked before sees-fire. Skip a few years in the future and show Pender as a lone traveller who is now back with Ratkill. After his wife was killed by the returning horrors of the Black Rats, Pender seeks revenge for her death and kill the Mother Creature.

2. Second suggestion would be that Harris would be the main protagonist due to him being the first person alive to have witnessed the beginning of the Black Rats first outbreak. Although he has no military background or combat expertise, he did survive several rat attacks through the first book, The Rats. Last we know of Harris in the series was that he survived the attack in the nest and reported to HQ (Ratkill) of what he saw. After that there’s nothing, his story just ends in the series and not even if he survived the nuclear fallout years later. Having him as the protagonist in The City would make the story feel like a full circle, a finality to the series as Harris returns to London to face a old enemy one last time.

Post Domain story with reference to Culver and how society has fallen

Domain ends with Culver and two other survivors leave London by the military, who saved them during a gruelling battle on a boat against the rats. We’re told that there are some areas that weren’t affected by the fallout, chaotic but fairly ordered mostly. The story ends on a cliffhanger of sorts as the rats are still active in their goal to take over the world. By the time The City arrives we see humanity at the whims of the rats as society is completely destroyed.

Maybe explain post Domain what happened to Culver and the others. Was it China that dropped the nuclear bombs? Did they do a second wave of attacks months later? How did the rats took over?

There’s a lot to explain in just a single graphic novel with barely 70 or so pages, so it’ll either have to be a short 2-4 page explanation or a prequel story. Or alternatively, just show how the rats finally dominated the country, as in Domain they’ve just about took over London after the fallout.

The Ratkill as a Guerrilla task force

By the time the third book come around Ratkill had completely disappeared, no mention of the group nor of Howard. Domain’s story was a few decades (10-20 years) after the events of Lair, roughly in the 80’s or 90’s. It was almost as if this book wasn’t connected to the last two when reading the first few chapters, until later on we get exposition on previous events on the Black Rats.

During The City we see unknown groups of people who help the Traveler during his mission in London, they seem to be from an established group who knew who David was. Could they be from Ratkill, surviving inspectors who now work as a task force to take down nests? Or are they a retaliation group who were in one of the many safe nuclear bunkers?

It would be a nice nod to either Domain or the trilogy to include Ratkill as an existing group, who are fighting an eternal war against the rats.

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That’s all I can suggest for how I would change The City to make it more meaningful. It’s not to say that my ideas are perfect as I’m not the master of this fictional world, James Herbert is the only one who can ultimately write The Rats franchise. But unfortunately, he sadly passed away early this decade, so I doubt anyone could continue the franchise as good as James’s work

The City was released in the 1990’s, about two decades after his first book, The Rats, was published. The City was James Herbert’s last work on The Rats franchise as a fourth sequel in the rats saga. He had changed since his early days of writing as he moved away from violent and graphic horror into more complex horror.

In a way, James Herbert was moving on from his most famous fictional franchise and wanted to create new stories rather than milking his best work. Besides, by the time Domain came out the horror was becoming too familiar and less frightening.

How can you make a graphic novel end a well beloved horror series, and meet expectations? The answer is not that simple, and because James hasn’t done a graphic novel before or since, it’s understandable that The City would feel mediocre.

But then again looking back on The City, I have this strange nostalgia now that I’ve read all of the books. Seeing the Black Rats, the post fallout remains of London, the White Rats and the Mother Creature all being illustrated actually makes us see how horrendous and evil these things are.

I think the book was never meant to be the next best thing but rather a visual story to thank the fans for supporting decades of fiction by James Herbert. Instead of writing a fourth book, a visual story was made for us, the reader, to witness the horror for one last time. To see the mutant rats for the first time as they glare at us with their evil, cunning red eyes.

The Black Rats ultimately won the battle and dominated the earth, as humanity annihilates itself by nuclear fallout. Then we get to see what we created by accident decades ago (from atomic bombs ironically) destroy our species.

The final page of the traveller walking across the crimson red horizon after leaving London is the story’s end. Unlike previous books there’s no epilogue about surviving rats nor another White Rat mutant, just the main protagonist waking away as a broken man who’s lost everything in his life. He only has revenge against the rats as something to live for.

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I hope you have enjoyed this post, and I hope this final post on my thoughts on The Rats saga was enjoyable. I’ve been really inspired to write several posts on The Rats series after reading all the books, and I’ve done few post covering my thoughts on each book.

It’s been a pleasure to have found James Herbert’s fiction and The Rats franchise, it’s helped me to start reading more Horror book genre now. It’s a shame that James Herbert isn’t mentioned much in media and bookshops today, hardly much of his books are in my local Waterstones (only second hand shops have his books).

However, I hope that I’ve helped spread the word about James Herbert to a new generation of book readers. Hopefully we can still pass on the tales of horror of The Rats for decades onwards.

Until next time,

-Bjorn

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The future of The Rats after Domain?

The future of The Rats after Domain?

After reading all three books of The Rats trilogy (and The City graphic novel), I’ve decided to look back and theories the connections of each books revelations to the end bomb shell book of Domain.

Below I’ll be giving brief catch ups with each books endings relating to the rats, and where there origins started. This will relate to my theory on the series finale, and how it effects the future in a post- apocalyptic world rule by the rats.

This post will have major spoilers for The Rats, Lair, Domain and The City!!!

In the first book we find out through the course of the story that Under-Secretary, Foskins, had found information about the Black Rats origins. They were created by an atomic bomb test in New Guinea, which a professor (Zoologist) by the name of William Bartlett Schiller took one of the rats back to the U.K.

He went to a canal in London in a small house and started breeding the brown rats with the black rats, resulting in the creation of the mutant breed. However to no ones surprise, the Black Rats break free and start breeding and infesting London’s sewer network.

Harris (protagonist), knew where this old canal house was went straight to it to reach Foskins in time, during the big purge against the rats in an abandoned city of London. When inside, Harris finds all sorts of stuff in a study room including a black board with a faint image of a rat. It’s only when he goes downstairs does he finally realise how significant this place is.

For within this house we find our first White Rat, a mutated monstrosity who’s obese, crippled, hairless and distinctly has two heads. We also find it’s mutated bodyguards who are much bigger than the Black Rats. After battling his way through the bodyguards (and found out the fate of Foskins), Harris kills the mutant rat king.

Meanwhile as the military massacres the hordes of Black Rats from their hiding places (using ultra sounds to attract them), a few however were trapped in a storage room unable to get out. The mother rat gives birth to a strange White Rat before she dies from stress, the White Rat leads its kin away from the city.

In Lair, the protagonist by the name of Pender, finds the new nest of the Black Rats, which reveals more about its hierarchy system. I’ve listed this below to quickly explain the lowest to highest in the rats lair.

  • Black Rats are the foot soldiers who deliver fresh meat to its superiors, decapitated heads are much needed to the brood.
  • Bodyguard rats are much bigger and stronger than the foot solider, who guard the mutated white rat and it’s group of similarly afflicted kin.
  • White Rats are mutated monstrosity’s who tend to be leaders or in place of authority to the Lair. They demand food on a constant basis to replenish their hunger, for their crippled affliction makes them useless to hunt for food.
  • White Rat (king) is the leader of the lair who bends all to his will and demands for more fresh heads to eat. Being bigger than its kin, this rat has two heads, one being useless apart from either eating or sniffing, sight is blind.

After a dispute with one of the Black Rats who the White Rat king was feasting on its new meal, the Black Rat strangely disobeyed its orders and attacked its king. Tearing its throat out and forging on its flesh, along with the rest of the Black Rats. The bodyguards and its White Rat masters were killed off too, making the lair go into outright chaos.

In the end, Pender managed to escape as the army destroys the abandoned house with rockets and explosions, supposedly killing off the Black Rats forever.

But a few survived and went back to the city…..

In Domain, it’s revealed that the rats have a Mother Creature, a massive White Rat who commands all to her commands. Not only is she like her white kin, but she can also breed to create more rats.

After the nuclear apocalypse the rats had grown bolder and left heir nest to find a world in ruin. Regaining their confidence they terrorise many survivors, killing them and taking food back to the nest.

By the end of the story, it’s revealed later on in the last chapter that when the protagonist looked back at the horror he witnessed seeing the Mother Creature, he realised that her litter looked awfully familiar. They were human in appearance with rat features, almost as if the litter were an evolution in the rats cycle. Did mankind evolve from rats, not apes?

Finally in The City, we discover yet another Mother Rat in illustration, and a first visual illustration of what this human/ rat looks like.

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So with all that information out of the way, what can this all mean?

From everything I’ve gathered from all three books, and how the author developed his stories, I have theory.

The Rats are a product of a nuclear blast which changed their DNA to make them abnormally stronger, smarter, more cunning than their smaller kin. However, it has caused a mutation where a few newborn become the white rats. Eventually these rats become deformed and crippled either by genetic failure or it’s part of the hierarchy gene that makes them above the Black Rats. Like bees, the rats produce a unique litter that will lead its nest if ever the King or Queen is slain.

One rat may become the mother creature, who breeds many rats including her own white kin. Unlike her own kind, her newborn are alien to the Black Rats who see them as a threat. But they won’t harm them for their Queen has total command over the nest.

These newborn are the next evolutionary step in the rats species to evolve into more humanoid beings. Wether they are the return of mankind’s ancestors or something entirely more disturbing will never be answered.

This is the true horror of James Herbert’s trilogy of The Rats. Whilst each book is horror filled with rat attacks and mutilations of victims, these pale in comparison to the real horror that connects all the books.

Domain ends the trilogy by showing mankind’s downfall for its recklessness with nuclear weapons, massacring everyone and everything on this earth. The rats, a product of nuclear bomb tests decades ago (the irony that mankind had created such horrors) were a mistake created by mankind’s recklessness (and a professors stupid idea to breed them). The rats took this opportunity to rise up from their long absence from the upper world.

They breed and kill the now weakened but surviving groups of mankind, whilst their queen breeds a new race to rule the earth.

The true horror is that the rats have become the next dominant species of earth, and theses new breed of humanoid rats will inherit this world once mankind becomes extinct. The rats hate them and are more than willing to kill them, but this new breed may live long enough to survive as long as their queen is still in power.

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Whilst the revelation of the new inheritors of earth is an interesting theory, it’s only what I think might happen. You may have your own theories on what The Rats trilogy ending could mean, I’m interested to hear your own theories in the comments below!

Thank you for reading this post. I hope you have enjoyed this post and, hopefully you may be interested to read more or James Herbert’s literature.

Next up I’ve got one more post on The Rats series with my own ideas to improve The City, and how I would give it more meaning as a finale to the series. I’ll explain the positives and negatives of the original story, and wether it could continue the saga with a sequel if James Herbert had continued the series.

Until next time!

-Bjorn

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Sources:

  • Herbert James, The Rats First published in 1974 by New English Library. Edition 1999 Re-published by Pan Books
  • Herbert James, Lair First published in 1979 by New English Library. Edition 1999 Re-published by Pan Books.
  • Herbert James, Domain, First edition 1984 published by New English Library.
  • Herbert James, Miller Ian, Balchin Judy, The City, First edition 1994 published by Pan Books.

The Rats Trilogy

Over the past three or four weeks this month, I’ve been reading all three of James Herbert’s books in the Rat Trilogy (well quadruple series If including The City graphic novel). After finding a copy of The City last month I was intrigued to learn more about James Herbert and his fictional works. Luckily enough I found myself a copy of The Rats early this month, and read it in just four days!

For my first ever read of a horror book, it added a sense of chill and visually disturbing imagery of the Black Rats, how they attack their prey with bloody mindless savagery. The wicked, the good, the bad and the innocent are all meals for the rats, as they care not for who or what you are so long as your flesh fill their stomachs.

The series follows the mutated Black Rats who unlike their inferior rat kin, are smarter, cunning, strong and measure at two feet and up to three including their long scaly tail. The Black Rats are not your average pest for they have a certain appetite for human flesh, which they constantly seek to gorge on their endless hunger for more.

The Rats

A short book that’s more of a novella sized story than a novel, but by no means is it lacking in quality. Set in the 1970’s, the story sees multiple perspectives of the victims that are murdered by the Black Rats, a touch of tragedy in their past life that is all to soon ended by a horrific bloody end.

There is a protagonist of sorts of a teacher named Harris, but he’s not the story’s main focus, but rather the one who has to deal with the pests. Interestingly, the story focuses on the Black Rats as they become incredibly uncontrollable in their bloodlust to the point of mass infestation.

This book was amazingly written, every chapter just wanted to pull you in and watch as the horror unfolds for each victim. Never shying away, James Herbert uses graphic and violent descriptions of the Black Rats attacks to the extreme. With blood and gore being James’s hallmark for the trilogy.

My favourite scene would have to be the underground subway attack, it was brilliantly written and I was on the edge of my seat all the way through the chapter. The combination of the dark tunnel and the rats swarming all over was bloody disturbing.

For a first book publication, this book was a good horror story, maybe some areas could improved (which in the sequel, Lair, James made a worthy successor). Some of the more seedy and lusty stuff may be too much for today’s readers, some parts even felt a slight bit misogynistic. However, because the book was set in its time in the mid 1970’s, it worked as a look back to the culture and lifestyles of the 70’s.

Get this book first if you want to start reading The Rats trilogy. Whilst the sequel books are sort of self contained books in the same cannon, it’s worth reading The Rats first to get a good understanding about the events that take place.

Lair

The second book in the series as a sequel to The Rats, Lair moves away from the city of London setting and takes us to the outskirts of the city in the countryside. Once again the mutant rats have bred in mass in their new hiding place in the country side, five years after their defeat during the London outbreak.

Like Ridley Scott’s Alien to James Camerons Aliens, Lair is a successor that amps the horror, violence and narrative of the rats revenge. Not only are the rats more vicious and cunning in their craving for human flesh, but the humans are better written in the story. This time focusing on Luke Pender, an inspector from Ratkill (an organisation who’s goal is to wipe out the mutant Black Rats) who is called upon to investigate reports of rodent sightings in Epping forest.

What’s makes this book so much more interesting is the way James Herbert had crafted his story, the environment and setting is used with great effect when used for setting up the rat strikes. You get the feeling that the forest is itself is fearful of the mutants that have made their Lair in the woodland, killing the natural cycle of nature. For they themselves are not a natural creation, but rather accidentally created by mans selfishness.

My favourite chapter is a tough one, as all the way through the book I couldn’t find much to criticise (well there are certain nitpicks in some areas), even the quieter moments are rather enjoyable to read. However, if I had to choose it would be when Pender finally finds the lair of the rat nest, I won’t spoil it, but I’ve found the whole event to be insightful on the Black Rats function in its nest hierarchy.

I see this book as James Herbert’s best book by far for The Rat trilogy in terms of the way the story was written, engaging and well written characters and far more gruesome ways with the rat attacks.

DomainThe last book in the trilogy, Domain takes a wildly different turn in the series as the situation turns in favour of the now fearful Black Rats. Set years in the not so far future in a time where tensions in the Middle East have escalated to breaking point, London is attached by five ballistic nuclear missiles that wipes out nearly all of London’s population.

However, a few were lucky enough to have survived from the nuclear bombs in time before the fallout could kill them. Unbeknownst to the survivors however, the Black Rats have finally come out of their hiding places sensing a shift in the balance. They aren’t the prey anymore, now they have become the rulers of this domain.

And they seek the fresh taste of human flesh.

The series by now has become too predictable as by now readers will have seen it all. James Herbert could probably tell the series would lose its charm if he kept churning out more of the same story of the rats. So to make this final book go out with a bang (literally) he decided to mix in a post nuclear story for his third and final book.

I think this was a very good choice, as by now the Black Rats has been written to the best that James could write them. Like Alien to Aliens it would be difficult to write a third movie (without interference by the high ups) that could be even better than its previous successor. Making a post nuclear apocalypse gave James much more opportunities to make the rats still a scare factor.

However, parts of the story sadly felt flat especially toward the end, where the story kinda felt same old with the rats. It felt like I’ve seen it all and wanted something fresh and interesting to read. That’s not to say this book didn’t add anything new, the Black Rats hierarchy is explored further with a far more darker revelation about their new leader.

The humans are okay, not stand out as Lair had, some of the characters felt like they were just there to be killed off. Whilst others felt lacking like Jackson and Kate who could have been developed better early on like D.R Reynolds, who had a fascinating chapter explaining how strong she was with her profession and her weakness for her loss.

Two stand out characters were the helicopter pilot Culver and a member of Government Dealey. Both characters are polar opposites who both survived the apocalypse together, tying them in a strange way as close but not close individual. You realise at the end of the story that both characters go through big developments from where they started. Dealey especially has changed from what he’s been through to survive.

The final bomb shell to end the story is a shocker, and was to me in my opinion the main horror point of the story, even the series it’s entirety. As the pieces come together we finally get the full picture as to what the future might be when the Black Rats take over the world.

Overall I think this final book whilst not as good as Lair, is still a fantastic book to read as an enjoyable post apocalyptic story.

The City

And so we reach the fourth and last of James Herbert’s Rats story, his final story takes place several years in the future where the ruins of London have become the rats territory.

This was my first look into James Herbert’s work and where this whole interest in reading his work started. I picked this up by chance not knowing anything about James Herbert and his bestselling horror book series. I’m glad to have found this graphic novel, as it’s opened my interest to try and read more variety of books than just Black Library.

This graphic novel doesn’t add anything to the ongoing story, an the story itself is not much to say. We don’t know much about the protagonist, the Traveler, and what happens to the character in the aftermath of Domain.

It’s sad to say that this final story is not worth reading unless your a collected and fan of James Herbert’s Rats series. The art however is gorgeous in the way Ian Miller illustrates a torn and ravaged landscape of post apocalyptic London.

Going back and reading this graphic novel after reading all three books has finally made some sense, parts before I isn’t have a clue about until now. It’s worth reading all three books before reading this if you want to know what game before.

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With that, I’ve finally finished reading this long and compelling series that James Herbert had created. I’ve really enjoyed reading this book series and broaden my tastes for more Sci-Fi/ horror fiction stories.

Although James had sadly died in 2013, and his fiction will not be as known as the more notable mainstream fiction. I’d like to think that James is still a well respected writer that still has a following of readers who praise his talent of work. I’m glad to have read his fictional work, and hope to read more of his books like The Fog and 48.

Thank you for reading this post, I hope you have enjoyed this post and learnt something new today. Are you a fan of James Herbert’s work? Have you read any of the books from The Rats Trilogy? Comment below and share your views on your favourite book by James Herbert, and which book from The Rats trilogy did you like most?

I’m not quite finished yet with The Rats trilogy just yet. I’m planning on doing a spoiler post on big plot points in the trilogy, and speculate on the revelations in the series finale.

Then I’ll be doing one last post on what I’d change and improve on the graphic novel, The City. So stay tuned for both posts soon!

Until next time!

-Bjorn

The Rats and The City

Today I’ve found an old comic book from a comic store, but this isn’t your usual superhero story or even a Judge Dredd story (but I was very close to getting a Judge Dredd comic today!). Rather than buying my usual favourite comic books by 2,000ad, my eye was attracted by another comic that was just barely visible in the stacks. What I found was none other than The City, by James Herbert.

At first glance I thought I’ve found an Alien comic with strange alien, like architecture similar to the space jockey ship interior. However when I pulled it out of the comic stack, I was shocked to see this was actually a post apocalyptic comic book story.

I’ll be honest and say that I didn’t flick through the book to see if I liked it before purchase. It was in a protective pocket and I didn’t want to open it case the shop owner got angry. Anyways, what made me but this over Judge Dredd Yearbook (I think it was 1994?) was the sheer enormity of the front cover with it’s beautiful illustration. The back synopsis whilst very short was also very tempting to take a read.

So I brought this comic book and began to follow the isolation of a travellers journey into the city.

My impressions on the book overall?

The story telling is very limited throughout with only a few texts in each page, describing the journey the Traveller goes on. It’s difficult understanding what the characters goals are as it’s not mentioned until halfway through the story. By then, once it’s revealed that the protagonist is trying to rescue his family in the city, the empathy for the horror that takes place only works for the shock value. Any character building and the relationships is none existent, making you feel like you’ve missed out on those connections.

However, this isn’t to say that this comic book isn’t worth reading (well visually looking since there’s hardly much reading involved) as the art is the books strongest aspect. Ian Miller’s artistic talent is outstanding in the way he illustrates the downfall of the city from the landscape to the people who inhabit it. The buildings are crumbling with contorted structure that look eerie, with a mix of abomination like faces like a nightmare brought to life.

The use of colours is also used to great effect in the way Ian uses a mix of greys, dark blues, blacks and other dull colours to create a morbid and degraded city scape. Contrasting with the blood red sky really impacts the visual presentation of an alien like world, far from what our worlds environment and city scape looks like.

The main protagonist is also designed and coloured in a way as not to be a heroic good guy, or a badass action hero, but a lone man in a tin suit of armour. His humanity is hidden behind the suit disguising his true emotions throughout the first half of the story. He is an alien to the city, for he is a rust orange tin man in contrast to the grey and dull world that he contrasts to. When we do eventually see his true identity in the flesh, even he looks as dead and defeated as the rest of the people that suffer from the post apocalyptic nightmare.

As for James Herbert’s story telling, whilst I’ve mentioned above that there’s a lack story telling, that’s not necessarily a bad thing. These days we get dumped exposition in movies and books that drivel on about too much information, and by the time that’s done you feel bored or just distracted. However, The City gives you hardly any exposition dumps, instead the city and the action tells the story that you can piece together the world you see.

The back synopsis combined with the story makes sense as to what the story is about. It’s not a revolutionary story telling by no means, and it does lack context as to how the apocalyptic war started. There a reason why there’s a lack of information, but I’ll elaborate on that later on.

Overall, I’d recommend giving this a try if your into the illustration story based comic books, the art is worth observing and see the effort that’s been done to illustrate this story’s world. The story can be a downside to the book, it’s not terrible to the point of unreadable, it’s good if your wanting a short story to read.

What I found out afterwards

After reading this comic book, I wanted to find out more about this comic book and its creators. So I did some research and was surprised at what I’ve found, and it made more sense now that I look back on The City.

The City is a loose continuation of James Herbert’s best selling book trilogy series that started with his first book written, The Rats. Now I haven’t read The Rats in full, nor the two sequels from the series, but from what I can gather it’s clear what James had crafted.

The City is the result of what takes place from the trilogy, it’s a visual aftermath of what happen after the apocalypse, the main threat was the Rats. It’s the first and only graphic novel for The Rats book series, and the last story in the franchise.

I’m keen to find the books and read them myself now that I’ve found out more about the fictional world that James had created. If I didn’t pick up The City today, I would never have known about this flawed but beautiful and dark graphic novel.

With that, I’m going to wrap up today’s post and call it a night. Thank you for reading this post, and if you know about James Herbert and Ian Millers works, or The Rats trilogy, share your thoughts below in the comment section.

Until next time!

-Bjorn