FMP final piece evaluation
For my FMP work I’ve Chosen the subject of the Kray Twins relating to the projects theme of Tribe. I’ve chosen my project theme on the Kray’s, because of how gangs in Britain were in their own way a tribe of people, following the boss/ head of the gang as leader of their group.
The Krays are a unique example of their tribe, the Firm, being successful in its expansion as a criminal empire that gained both a reputation for fame and infamy in British culture. Their story is not a black and white narrative, for their history tells us a much more grey story for how the krays became what they are.
I wanted present my own perspective of the Kray’s (using factual evidence from media and books) in acrylic paintings/ digital art in A3 card frame prints that capture both the rise and fall of their criminal days. I felt that I needed to push myself to try something out of my comfort zone, so rather than doing just one print out of my work, I would do two to make this final project more challenging.
My strengths and weaknesses throughout the project
Whilst I did find it difficult at first, my proposal writing gradually got better with each draft as I refined it. I did well with planning and laying out what my plans are for the project, as I can think of ideas and translate it into planning. However, my weakness is with my grammar and wording, the former being not a severe issue (but has been a constant issue), and the latter being difficult to use the right words for the right terms. For example, I use ‘Mediums’ to describe more than one, however, it’s actually ‘Media’.
My mind maps were very straight forward with only minor changes later on in the project, but likewise it was an area that I had no problems with. I will say that my weakness in my mind map work is grammar, as I tend to make mistake when writing around the mind map.
My mood board came pretty late into the project, as o tend to do primary/ secondary work first, then do a mood board with subjects relating to my choices that I’ve made. Whilst this can be a good as it gives me a narrow and easier time to collect relevant pictures, it’s also a problem as I had to take time to collect my own artist research.
My primary source work was my strongest area when doing this project, as I do well with information gathering and finding artists, subjects and media resources. I found this area to be most enjoyable as I like to explore artist work and research into subjects that relate to my chosen theme. My faults would be when it took too long to nail down the project subject, as I’d taken longer to experiment and discover subjects.
As for secondary source work, that was difficult as I didn’t go to the Berlin trip, so I had to find anything relatable to my subject theme that can fit into the Kray Twins era. Since I couldn’t go to East End London due to travel and time, I had to make do with places that can fit the era. My practical work however was an improvement, as my photography at Caistor was helpful going forwards in the project.
My photography work at Caistor was an opportunity to test out the characteristics of photography, learning its functions and photo presentation options available. I found the process to be refreshing change from drawing, as I’ve never utilised my photography skill before until this project. I could do better with planning, as my photography was 50/50 for options to use into my work, more locations would have opens more avenues to experiment.
Experimenting work was an interesting experience when testing out filters, acrylic paint, photography and digital art. I’ve learnt a lot of new skills such as Freehand selection tool on Procreate app, tonal painting (using one colour) and photo editing. My strengths were trying out new options, as with digital art/ photography, I had more time to create many experiment pieces to refine and judge through the progress. Although I would have tried to do A3 thick card prints at this time, as later on in the project I had issues with print quality from file transfer on Procreate.
Thanks to my sample work being very broad in outcomes and medium testing, my development work was vastly more refined compared to my Heritage project last year. My use in acrylics was more fluent in producing more human like faces and proportions. It was also a great opportunity to really go freehanded in drawing the Krays (using photos of the Krays as visual reference). I liked the conceptual outcomes that I’ve produced, as I really pushed myself to produce more mature paintings (something that’s not in my usual comfort zone as fiction is usually my preferred subject for art).
My digital art skills came into great use when problem solving my concept artworks, as it improved any visual flaws in colour consistency, reforming shapes and adding touch ups to add more details and texture. I’ve also found ways around getting better printing by using the picture file to print, rather than using Word document for better quality A3 prints.
For my final piece prep, I had trouble at first on what to create as my final pieces, as my drawings lacked the same depth and visual design as my concept developments. So I chose to use one concept development as my first piece (a portrait of the Krays), and a new painting as my second and last piece. I did several test outcomes from digital art to see where I would like to take my work going forward. I think I could have better planned my imagery in the prep work as I felt I lacked an overall plan on my imagery.
For my final design work, I had more success at my digital editing now that I have built up a lot of experience for the past few months. I found my strengths at digital work had really enhanced my work to look more realistic with atmosphere. My decision to get rid of the flames in final piece #2 was a good choice, because the imagery looks a lot more mysterious and limbo in its presentation with half the picture shrouded in darkness. My only weakness would be that I was skeptical about gloss printing, as my worry if that the file will print the same as my A3 card versions, in terms of pixelation of the picture being the same.
My overall thoughts on the final piece project
My work had a quite a few successful outcomes including printing my A3 work, painting acrylic more refined and improved on past flaws and discovering new solutions by going out of my comfort zone. However, one of my biggest success would be combing acrylic art, photography and digital art into one, as my media choices resulted in two very unique pieces of artwork. I found that combing both traditional and modern media has not only been a gamble of trying something new, but also a new avenue to express art using old and new tools.
My final pieces has impressed me with the amount of time and effort I have spent building up my work towards this point in the course. I took a huge gamble with this project as I wanted to move away from 3D media and traditional Acrylic canvas painting. I feel that this gamble had been worth going for, as my works have pushed me interests into more gritty realistic subjects.
The materials I’ve used for the final piece were just right to express more darker imagery, acrylic and Procreate app can be combined to create more visual interest for the audiences eyes. The media were suitable to produce imagery that require more complexity such as smoke effects, lighting, tonal change and filter editing.
I think my work meets my project requirements, because I’ve tried to cover as many areas possible with this FMP work. My solution was to cover the seven key areas when it comes to project work; annotation, evidence/sources, evaluation, practical work, development, Outcome and context. These areas are always on my mind when I do my work each day, so that I can cover requirements naturally without back tracking too much.
If I could do more if I was offered to further the project, I would have done more printing work with gloss printing as I lacked time and experience to try it out. I think my original goals of just an A3 print was a good goal, but taking it further into gloss print would really create huge impact on my presentation for my FMP. I could also improve on my drawing skills, as at times, I was limited for time to produce more accurately drawn pictures of the Krays. If extended for time, I could draw more accurate portraits that can be more recognisable to my target audience.
photo frame and college was made using Photo Collage app.
Good question. The Aaronoughts are a band of misfit warriors who have banded together in search of Sigmars Golden Fleece (or fancy Sigmarite cape for those who pray to our gracious god king). The members of the warband come from different realms and races, including an industrialist Orc Boss, a fine beard duar…..Stormcast Eternal, a Fyreslayer (second best beard) and a Tau hybrid with a dryad body (don’t ask me how that happen…..).
However they are not the only ones searching for the fleece, as a philosopher of Azyr once said “every bugger wants somthin”. A Goblin Shaman by the name of Ghanorchaltovalu is a menacing and spiteful little greenskin who has made a cult of his own design. He and his Cultists seek the fleece in Oder to be recognised as an independent society by all of the Grand alliance of Destruction (In Ghanorchaltovalu’s case, building his own twisted empire)
Will the team unite against the forces of the Ghanorchaltovalu and his army of sophisticated and goblins? Will they find the the Fleece in time before the goblin Clan get their grubby goblin fingers on the precious Fleece?
Hello readers, if you have no idea what I’m blabbering on about, let me explain. A week or so ago, I came across a new blog site called The Tales from the Aaronorium, set up by Aaron and the team. It’s a blog site of all things hobby wise, including a series’s on AoS (sort of like the Tale of four Warlords).
So far, I’ve enjoyed reading each of the bloggers posts on their faction for Skirmish, it’s great to see the processes that go into planning and building an army that’s AoS related. So, as (a tribute? Dedication?), I’ve made four digital art paintings of each member of the Tales of the Aaronorium. Below are the digital paintings as well as videos on my process work.
I just want to mention that this post is meant to be a light hearted and fun post, not a spiteful nor hate based post. I was thinking of doing a fun (unofficial) backstory to each character, but that would be crossing the line (Duardin have terrible grudges, especially Aelves!).
Like I’ve mentioned earlier, I really enjoyed reading blog posts and seeing how hobbyists tackle different challenges. It’s inspired me so much that I’m now attempting to finally finish off my Stormcast Eternals army, and get to join in a game of AoS at my local GW store!
With that said, I wish the best of luck to the Aaronites on their journey with their AoS Skirmish collections.
made using Procreate app
The Destruction God of AoS has been rebuilt by the planet Eating Chaos bringer, Unicron. Now, Gorkamorka (or Morkagorka) is reborn as a tetchy upgraded monster with more dakka lasers and ultimate strength compared to the punny Ironjaws Warboss.
(I very much doubt this will happen, but you never know……..😏)
Thank you for checking this post out. If you have any questions, post a comment below and I’ll reply back as soon as I can. Thank!
This year was the start of a long series of my homebrew lore series on the Grey-mane dynasty for AoS. The lore was planned to tie all of my AoS factions from an origin root that would spread out and build many perspectives from different factions.
However, the story couldn’t be fully realised without the help of visual imagery art. So this year was an effort for me to not only build my lore series, but also to provide visual art of my stories.
Today, I would like to show you guys a whole years worth of art from ‘The Grey-mane Lore Series’, ranging from portrait art of the Grey-manes themselves to the landmarks that define the dynasty’s history and heritage. Enjoy!
Arashar The Master Alchemist, Grey-mane of Metal.
Future sight of the second fall
Realm map of the Grey-mane dynasty land in Aqshy.
The Corrupted constellation above mount Silver Throne.
Map of the Grey-mane city.
Roar of the Lighting God.
The Stagrot Gladiators heraldry.
A dynasty falls, the Dark Gods rejoice.
The birth of the land
Matron of the Shadows
Oaken the Ancient Ghuldryad, Grey-mane of the Beast.
Croscarvro, Whight king of the Frost Crosil Crypt, Grey-mane of Death.
Lord Celestant of the Grey-mane truce.
Towers is the Celestial Order.
Palace of the dynasty.
The Fire Horse Freeguild.
Thank you for reading this post. If you have any questions, post a comment below and I’ll reply back as soon as I can. Thanks!
Tomorrow will be the start of the pop up shop opening day on the 7th, followed by the 8th and 9th of December. Some of my acrylic paintings I’ve done will be printed as cards for the Lincoln Christmas market, at Lincoln College located at Christ’s Hospital Terrace. There will be signs for directions on where to go to visit the Colleges pop up shop.
The cards that I’ll be producing for sale are works that I’ve been doing for my course work. These include two versions of the Lord Tennyson painting (one bright and sharp for the Autumn effect, and one for more mature and closer accuracy to the statues look) as well as an early painting of a British solider at the Lincolnshire life museum.
There are other cards on sale too!
All of the cards you see here are priced at 75p each! Great for Xmas cards and any occasion for card giving (probably not Valentine’s Day……!).
Also, I have prints for sale if anyone prefers to have one of my paintings on their wall. Currently there are two prints available that will be on sale at the Xmas market. Each print costs around £5 each.
There’s a limited run of 9 prints! So it’s a first come first served basis for the prints, as well as the cards you see here. Finally, there’s one framed A4 print that will be on sale for £10.
I hope you can come and visit, wether from around the UK or abroad if you are visiting Lincoln for the Christmas market.
Have a great day, and I’ll be back tomorrow with a new blog post!
[Disclaimer- all sales from the cards that I’ll be producing for sale will not be for personal use, but instead be donated to Lincoln College for materials and equipment]